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Raised in the steamy bayous of New Orleans in the early 1900s, LeRoi "King" Tremain, caught up in his family's ongoing feud with the rival DuMont family, learns to fight. But when the teenage King mistakenly kills two white deputies during a botched raid on the DuMonts, the Tremains' fear of reprisal forces King to flee Louisiana.
King thus embarks on an adventure that first takes him to France, where he fights in World War I as a member of the segregated 369th Battalion—in the bigoted army he finds himself locked in combat with American soldiers as well as with Germans. When he returns to America, he battles the Mob in Jazz Age Harlem, the KKK in Louisiana, and crooked politicians trying to destroy a black township in Oklahoma.
King Tremain is driven by two principal forces: He wants to be treated with respect, and he wants to create a family dynasty much like the one he left behind in Louisiana. This is a stunning debut by novelist Guy Johnson that provides a true depiction of the lives of African-Americans in the early decades of the twentieth century.
- Sales Rank: #81671 in Books
- Published on: 2001-01-09
- Released on: 2001-01-09
- Original language: English
- Number of items: 1
- Dimensions: 8.00" h x 1.28" w x 5.17" l, 1.00 pounds
- Binding: Paperback
- 576 pages
Amazon.com Review
King Tremain, the badass central character of Guy Johnson's Standing at the Scratch Line, was born LeRoi and grew up in the swampy Louisiana bayou during the first part of the 20th century. It is only when he serves overseas during World War I, however, that LeRoi comes to appreciate the majesty of his name. As he should: fighting in the front lines with the "colored" 369th, LeRoi earns the title King. King takes his soldier's stance home with him and throughout his life kills whoever gets in his way, be they Italian mobsters or policemen. Not one for morals or rational contemplation, he lives by the code he relays to his army buddies during the war: "I just got two rules: be courageous and don't take no shit!"
In the course of tracking King's life, Standing at the Scratch Line crosses cities and decades--from New York to New Orleans to Oakland, from the teens to the '40s. King becomes a wealthy man, largely thanks to the opportunities presented by Prohibition. Handsome and strapping, he easily wins the heart of a Louisiana farm girl, Serena, who becomes his wife. Unfortunately, their love doesn't last long--even though the marriage does--because of tragedies involving their sons, for which he blames his wife. In King, Guy Johnson offers a character who responds aggressively to his time and place in history. He is a man of menacing proportions, with a justice system all his own. --Katherine Alberg
From Publishers Weekly
In the 30 years this lengthy debut novel spans (1916-1946), much blood is spilt and few lessons learned. The macho misadventures of its larger-than-life protagonist LeRoi Boudreaux Tremain-?aka King?drag the reader from the trenches of WWI to 1940s San Francisco, by way of Harlem and New Orleans. King, who whets his appetite for violence when he takes part in a family feud at the tender age of 14, makes a career as a killing machine and underground entrepreneur. Discovering a taste for shedding blood and a hatred for "American Whites" during combat with the all-black 369th Regiment in the fields of Alsace-Lorraine, King returns home to do battle with the mob, the KKK and law enforcement agents everywhere. Sometimes an avenging angel, sometimes merely an implacable force, King kills as briskly as the hero of a John Woo flick, only without the balletic grace. The glamour of his exploits?in killing, gambling, bootlegging and real estate?dissipates, however, when King's family starts to fall apart. His wife, Serena, undoes him through two illegitimate sons. One, LaValle, is conceived when she sleeps with a white racist sheriff to enable King's escape from captivity; the other, Leroy, is King's child by a New York woman, whose whereabouts Serena discovers but conceals from King. Leroy, left to grow up in an orphanage, causes a "curse" to descend on the family. The book unravels with tragedies of the domestic sort (deaths of relatives, miscarriages, car accidents), which, though cheapened by their frequency and a rather hokey voodoo cast, are somewhat appealing, if only as a break from incessant mayhem. Although Johnson succeeds in dramatizing the forces of prejudice and poverty, is perhaps an impossible task to sustain King's righteous rage, virtually a one-note performance, over so many pages.
Copyright 1998 Reed Business Information, Inc.
From Library Journal
Having Maya Angelou as a mother gave Johnson a head start as a writer, but he proved his mettle with this tough-minded story of a black man who escapes a murder rap by joining the army during World War I. The book was widelyAand favorablyAreviewed and went back for a second printing, now totaling 31,000 copies in print. Ultimately, "this fast-paced, intelligent, and extremely violent first novel...presents a brief history of 20th-century black America in the guise of a testosterone-fueled adventure yarn."
Copyright 1999 Reed Business Information, Inc.
Most helpful customer reviews
0 of 0 people found the following review helpful.
Not Bad But a Bit Unrealistic
By Pamela B.
I thought the story had too many story lines which made it a bit more unrealistic then it needed to be. The main character, King, went to too many places and did too many things which blurred the line between this being a good piece of realistic, somewhat historical fiction, verse this having elements of a tall tale. However, I was engaged for the vast majority of the book. I lost some interest with the book towards the end but was interested to see how it was going to end.
I thought the character of Serena took some interesting turns but thought the author could have better developed her character- front start to end. There was something uneven (perhaps overdeveloped or maybe underdeveloped ) about her character that didn't sit right with me. It seemed the core of her character constantly changed which made her a bit disjointed as a character when you look at her from beginning to end. In other words, I did not see a clear thread in the core of her character. This made me question the author's craft.
As I concluded the last part of the book, I kept asking myself where is Sampson. Unless I missed something, this character just disappears. What happened to Sampson???
Nevertheless, I did enjoy the book and look forward to discussing it with my book club.
0 of 0 people found the following review helpful.
Beautiful tale of struggle, honor and determination
By theron ngaqui
This story grabs hold of you from the first page. The action is unrelenting and beautifully articulated. Johnson weaves a narrative that blends poetic alliteration with the struggle of black identity and black love. His story is well rounded. It takes readers across oceans to the savagery of war and through the gauntlets of post slavery America while keeping true to the importance of family and honor. I recommend this book to anyone looking for a story that isn't often told and one that will have you thirsty for more.
0 of 0 people found the following review helpful.
Interesting and entertaining
By KAT
I read this on my son's recommendation. It was good, though a lot of the events were a little far fetched. I was disappointed in some inaccuracies when describing New Orleans. For one thing, we don't have hills. Everything is flat. Also, there is no Ramparts Street - it's Rampart. And New Orleans Creoles do not think they are white. Other than that, it was pretty good, and I'll buy the second book just out of curiosity to see how some cliffhangers play out.
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