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Berlin in Lights: The Diaries of Count Harry Kessler, 1918-1937From Brand: Grove Pr
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Derlin in Lights, chosen as a New York Times Notable Book, is the collection of German aristocrat Harry Kessler's diaries between the two world wars. Count Harry Kessler (1868-1937), the son of a German banker and an Irish beauty, was a diplomat and publisher who moved easily among the worlds of art, politics, and society. He lived in Berlin but traveled throughout Europe, always with a keen eye to the political climate of the times. His diaries encompass an extraordinary variety of people: Einstein engages him in long discussions on his theories, and Josephine Baker dances naked in Kessler's drawing room. Kessler had lunch with Bertolt Brecht, Kurt Weill, and Erik Satie, and dinner with Max Reinhardt, George Grosz, Virginia Woolf, Jean Cocteau, and Andre Gide, to name a few. His diaries encapsulate this tumultuous time frame, recording at first hand the agonizing collapse and death of Weimar Germany and the arrival of the Nazis. Beautifully written, the diaries provide rare insight into the frenetic, constantly changing mood and give us a brilliant portrait of Germany and Europe between the wars.
- Sales Rank: #1180763 in Books
- Brand: Brand: Grove Pr
- Published on: 2000-04
- Original language: English
- Number of items: 1
- Dimensions: 9.50" h x 6.50" w x 1.50" l,
- Binding: Hardcover
- 535 pages
- Used Book in Good Condition
From Library Journal
"Were it not so tragic," confided Count Harry Kessler (1868-1937) in his diary in June 1932, "it would be grotesque." The inevitability of Hitler's ascendance had grown increasingly apparent, and the "Red Count," a publisher, art collector, and prominent Social Democrat, had reason for apprehension. Within a year, the Weimar Republic would give way to the Third Reich, and Kessler would flee to France, where he was to die without ever returning to his native Berlin. His diaries, which begin with the Armistice of 1918 and end with his death in 1937, form a lens through which the turbulent Weimar years come vibrantly to life. The Kaiser's abdication, the Spartacist Revolt, and Walther Rathenau's assassination are dissected here by an astute, if resigned, observer, yet readers will be equally impressed by his circle of friends: those who passed through his life include Albert Einstein, Bertolt Brecht, Andr Gide, Thomas and Heinrich Mann, Virginia Woolf, and Erich Maria Remarque (whose All Quiet on the Western Front Kessler published), among others. Though occasionally disappointing in its omissionsDthe exile years are skimpy (there are no entries for 1934), and Kessler's homosexuality is revealed only in Ian Buruma's fine introductionDthe diaries are a welcome addition to any academic library.DRichard Koss, "Library Journal"
Copyright 2000 Reed Business Information, Inc.
Most helpful customer reviews
11 of 11 people found the following review helpful.
Earlier Translation of Memoirs
By George A. Grantham
The translation of Kessler's memoirs entitled "Berlin in Lights" covering his life after 1918 is inferior to the new translation of his earlier life entitled "Journey to the Abyss". I can only hope that the biographer of Kessler, L.M. Easton who does the translation of Abyss will follow up with the period 1918 on. My mistake was reading To The Abyss first.
Berlin In Lights takes too much for granted. Assuming you know many minor personalities or events. It also, skips large portions of the memoirs as the translator feels an English language audience would not be interested. In addition to these faults (in my eyes) the translator then spends pages on events which truly can bore. If these were part of a more total program perhaps the reader would accept them. Having 2 pages for one year of Kessler's life and then 10+ pages of reparations negotiations is a bit much.
My last complaint would be the large sections of French some of it idiomatic which the translator assumes the reader knows.
If one reads "To The Abyss" and thinks they want to follow up, I do not recommend "Berlin In Lights". There may be other translations but when I sought one, this appeared to the be best available and it, as I now know was deficient. Would rather have kept my money and bought Easton's biography of Kessler and filled the last years in that way.
George A. Grantham
2 of 2 people found the following review helpful.
I recommend different version
By northkona
See the earlier version titled "In the Twenties," translated by Charles Kessler (no relation to Harry Kessler), with Introduction by Otto Friedrich. It covers the same years. The Notes in "In the Twenties" are good, and provide context for some of the entries. As the Diary moves along, it gets better and better, with the last 10 years showing the alarm at what was happening to Germany's international reputation with the rise of Nazi fervor.
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I did wonder why translations are not footnoted for the French quotes from conversations. That seems to me a poor decision. If you're going to translate the German, why not translate the French, at least as a footnote? There isn't a lot of French, and basic skills will serve you well, but it would have been easier for readers to see a footnote right at the bottom of the page. However, I was glad to see the original French in the text, it makes those writers' and artists' opinions stand out, it makes clear that they are French people speaking, not Brits, Germans, or some other nationality. Kessler and the Europeans he socialized with spoke a number of languages, so they could talk about everything from art to politics to social gossip.
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I plan to read the earlier years of the diary as well as the newer "Abyss." I'm hooked.
0 of 0 people found the following review helpful.
A Great Diarist Sees the lights Going Out
By The Sceptical Chemist
Harry Kessler is one of the greatest diarists in literature. His friends were luminaries in art, music, theater, politics, and society throughout Europe in the early 20th century. This second volume of translated extracts from his Tagebuch covers the time from the defeat of Imperial Germany in 1918 through the frenetic days of the Weimar Republic to the advent of Nazism and Kessler's self-exile. The entries are sharply sketched, witty, and full of insight - for example the accounts of his relationship with Hugo von Hoffmansthal and his family are like portraits from a great novel. I recommend this book most highly - and you will also want the earlier, larger volume covering the years up to 1918.
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